Final Major Project – Project Development – 3rd September

I am still really drawn to the idea of Identity – I feel I need to discuss this when we are back, perhaps in my Pecha Kucha presentation tutorial.

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Fingerprint – Kirsty Logan, 2018

The Fingerprint truly identifies an individual therefore to overlay a fingerprint over a location does this, exemplifying the feeling of identity and individual feelings of a specific place.

I made a mock-up of what an image might look like, it is a very rough attempt, but I like how it looks so far.

IMG_2153
Sage and Tyne Fingerprint – Kirsty Logan, 2018

I’ve posted this image to social media and the feedback seems quite positive. I think personally this project means much more to me which may well mean I am more able to engage more with my subject.

Final Major Project – Project Development – 30th August

Identity

“the fact of being who or what a person or thing is”

“a close similarity or affinity”

“Your identity is who you are”

“Condition or character as to who a person or what a thing is; the qualities, beliefs, etc, that distinguish or identify a person or thing”

Fingerprint

“An impression or mark made on a surface by a person’s fingertip, able to be used for identifying individuals from the unique pattern of whorls and lines on the fingertips”

Final Major Project – Project Development – 24th August 2018

The feature of my focus in my previous module (Surfaces and Strategies) was Life/Death/Rebirth, and whilst I really enjoyed this I am questioning whether it is something that I really want to continue.

Looking back over some past work I found my Sellotape image from the Informing Context module. This image features a fingerprint. This made me think about Identity.

I came across the book Northerners – Portrait of a no nonsense people by Sefton Samuels

What I noticed about this book was while there were a couple of images from the North East there is much more focus on the North West. Quite often we seem like a forgotten people not featuring a great deal in the government plans for improvement, the refusal to dual the A1 instead finding projects further south.

This made me think about a project I’ve been dwelling over for a while ” Northern Identity”

I don’t want to use portraits I want to use fingerprints over the top of North East images.

This is my image Sellotape which I link closely to identity.

I want ti overlay this type of fingerprint over the North East. Over the break between modules I want the fingerprint to be subtle but a statement. I need to think about the titles of the images – should it be the name of the place or the name of the fingerprint.

Sellotape March 2018

ACTION:

Research Martin Parr and Chris Killip

 

References:

Samuels, S., 2011. Northerners – Portrait of a no nonsense people. 1st ed. United Kingdom: Ebury Press.

Surfaces and Strategies: Bibliography

Weston:

Weston, Edward (1965), Edited by Nancy Newhall, The Flame of Recognition, Aperture Foundation, New York, Pg 28, 29, 49, 77

http://ccp-emuseum.catnet.arizona.edu/view/objects/asitem/People@2434/248/title-asc?t:state:flow=74cb3031-b90c-42e9-855b-5fa42da3b1a6

https://www.kimweston.com/a-photographers-love-of-life-alex-nyerges/

https://www.edwardwestonphotography.com/chronology/

https://www.kimweston.com/edward-weston-photographs/pl42-bi-1-pelican-1942-photograph-by-edward-weston

Daro Montag:

http://www.microbialart.com/galleries/daro-montag/

https://www.interaliamag.org/articles/daro-montag/ 

http://rane-research.org/pdf/dialogues_with_nature_catalogue.pdf

Heikki Leis:

https://www.behance.net/gallery/53736797/Photo-book-Afterlife 

Rothko:

Baal-Teshuva, Jacob, (2003), Rothko, TASCHEN GmbH, Koln. Pg 14, 47, 58, 80

https://www.tate.org.uk/art/artists/mark-rothko-1875

David Campany (A handful of Dust)

http://davidcampany.com/a-handful-of-dust/

Frederick Sommer: https://www.moma.org/collection/works/46392

Man Ray: https://www.metmuseum.org/toah/works-of-art/69.521/

Abstract Expressionists:

Hess, Barbara (2005), Abstract Expressionism, TASCHEN GmbH, Koln, Pg 19, 31, 53, 71

Sophie Calle:

https://www.tate.org.uk/art/artworks/calle-the-hotel-room-47-p78300

Photographers Sketchbooks:

Mclaren, Stephen and Formhals, Bryan, (2014), Photographers Sketchbooks, Thames & Hudson Ltd, London

Naoya Hatakeyama: http://www.flatandframed.com/photographers-sketchbooks/

Momento Mori:

http://www.fluland.com/wp-content/uploads/8f52b36c22413a47cf958bc805c85a3f.jpg

https://maa.missouri.edu/gallery/death-and-afterlife-ancient-egypt

https://www.tate.org.uk/art/art-terms/m/memento-mori

https://www.tate.org.uk/art/art-terms/v/vanitas

https://news.artnet.com/art-world/guide-memento-mori-art-historians-1076897

https://www.britishmuseum.org/pdf/10%20Death%20and%20the%20Afterlife%20FINAL.pdf

https://maa.missouri.edu/gallery/birth-death-and-rebirth-sky-burial-and-cyclical-cosmos-tibetan-buddhism

https://maa.missouri.edu/gallery/christian-afterlife

https://www.britannica.com/topic/reincarnation

https://en.wikipedia.org/wiki/Reincarnation

http://samtaylorjohnson.com/moving-image/art/still-life-2001

http://samtaylorjohnson.com/moving-image/art/a-little-death-2002

https://www.gemeentemuseum.nl/en/exhibitions/memento-mori-%E2%80%93-damien-hirst

Stephen Gill:

https://www.stephengill.co.uk/portfolio/wp-content/gallery/talking-to-ants/SGI-09-09-07-12.jpg

www.stephengill.co.uk

https://www.telegraph.co.uk/culture/photography/7813330/Photographer-Stephen-Gill-the-devil-in-the-detail.html

https://www.nobodybooks.com/product/a-series-of-disappointments-blue-red 

Andres Serrano:

http://andresserrano.org/images/series/immersions/Piss_Christ.jpg

https://www.theguardian.com/artanddesign/2012/sep/28/andres-serrano-piss-christ-new-york

http://creativetimereports.org/2015/01/30/free-speech-piss-christ-charlie-hebdo-andres-serrano/

Physics:

http://www.sevenbrieflessons.com/

Definitions:

https://www.collinsdictionary.com/dictionary/english/anthropomorphism

https://www.google.co.uk/search?rlz=1C1CHBF_en-GBGB758GB758&ei=rRZwW-bqF6PbgAbX767wBw&q=animism&oq=animis&gs_l=psy-ab.3.0.35i39k1j0l3j0i10k1j0l5.362099.366413.0.368476.20.12.0.0.0.0.238.1452.1j4j4.10.0….0…1c.1.64.psy-ab..12.8.1342.6..0i67k1j0i131k1.117.3FENp4wqRNI

https://www.google.co.uk/search?rlz=1C1CHBF_en-GBGB758GB758&ei=RBhwW8WpEdOGgQaU4bGQAw&q=transience&oq=trans&gs_l=psy-ab.1.2.35i39k1l2j0i67k1j0i131i67k1j0i67k1l6.42482.44831.0.47275.7.7.0.0.0.0.271.1289.0j1j5.7.0….0…1c.1.64.psy-ab..0.7.1403.6..0j0i131k1.120.C99dtxoX5Tw

https://en.wikipedia.org/wiki/Wabi-sabi

https://www.urbandictionary.com/define.php?term=wabi-sabi

https://www.google.co.uk/search?q=transmutation&rlz=1C1CHBF_en-GBGB758GB758&oq=transmutation&aqs=chrome..69i57j0l5.3528j0j8&sourceid=chrome&ie=UTF-8

https://www.merriam-webster.com/dictionary/transmigrate

https://en.wikipedia.org/wiki/Reincarnation

Additional Reading:

http://jadenhastings.com/

Sontag, S. (2008). On photography. London: Penguin Books.

Barthes, R. (2000). Camera lucida. London: Vintage.

Higgins, J. (2013). Why it does not have to be in focus. London: Quarto Publishing plc.

Juniper, A. (2010). Wabi sabi: the Japanese art of impermanence. Tokyo [etc.]: Tuttle Publishing.

Cotton, C. (2009). The photograph as contemporary art. London: Thames & Hudson.

Cotton, C. (2015). Photography is magic. New York: Aperture.

Rexer, L. (2013). The edge of vision. New York, N.Y.: Aperture.

Hunter, F., Fuqua, P. and Biver, S. (2015). Light – science & magic. Walthan, MA: Focal Press.

Antonini, M., Minniti, S., Gómez, F., Lungarella, G. and Bendandi, L. (2016). Experimental photography. London: Thames & Hudson.

Lucy Soutter. (2018). Why Art Photography?. Abingdon: Routledge.

 

Surfaces and Strategies: Week 11. Independent Reflection W/C 16/08/2018

This week has been a big focus on my oral presentation.

It has been a bit difficult as I have been working away which made things quite difficult.

Whilst working on my presentation I did come up with the titles that I want to use for my images. As I want the images to represent reinventions of the same life using the Titles 1:1, 1:2, 1:3 etc this was the best way I felt I could illustrate this.

I complete the last edit of my Work in Progress Portfolio in terms of reformatting one of the images that had a square format. This shape no longer fits the aesthetic of the project. This is quite a strange feeling as at one point of the module that had been the only mainstay of the project.

My 1:2:1 tutorial confirmed my feelings that my Work in Progress Portfolio is complete and ready to be submitted, this is a huge relief.

What I have found interesting this week is looking back through my CRJ and seeing how much my project has changed.

In week 2 when I was observing the work of Heikki Leis, a view of mine what it would have been beneficial to see what the item was before hand. Now I’ve thrown this idea right out of the window! Whilst my work is far more abstract and not still life like Leis – our work is being produced along a similar theme of the decomposition of items. I don’t believe his work to be based on life and death like mine but it shares a genre of photography.

The work will continue with my research, but the focus is to complete all of the assignment work before moving on further.

Surfaces and Strategies: Week 10. Independent Reflection W/C 03/08/2018

This week I had a break through with my Work in Progress Portfolio.

I took the time this week to build a whole new setup/studio this meant that I was able to achieve some of the images that I hadn’t been previously able to.

I was really pleased with the images and feel they will complete my portfolio.

Life 1-5

Sadly my presentation wouldn’t compress in time to share at the webinar, but I got to go back over my selected images which was really helpful. Especially as I hadn’t met Roger before so it was a fresh reaction/response to my imagery.

The webinar brought up how I might title my images. it has been my belief for a little while that I didn’t want to keep the titles of red grape, strawberry and raspberry as I didn’t want it to be completely obvious what people are looking at so this is something that I plan to work on this week.

I believe each image does need their own title as they should be independent in their own right as they are each  a life of their own which should also be able to be recognised as such. I don’t think that my project is actually about recognising the fruit anymore. This is a big change in direction from when I first started this module.

As part of my work this week I gave myself a refresher of what my project really is really about. This has been really helpful for preparing my oral presentation. Brainstorming words that I could relate to my project and also definitions, this assists in the communication of my project to the audience.

week 10 brainstorming

A reference to research, mentioned at this weeks webinar was Andres Serrano – Piss Christ.

Andres Serrano – Piss Christ – 1987

There is a tonal similarity between the image and some of my work, but Serrano’s work is far more controversial than my own. Piss Christ was a crucifix submerged in Serrano’s urine. It caused uproar when it was published I don’t feel that this is a reaction that I would personally want for my work. The only objection to my own work would be if individuals do not believe in life after death, reincarnation of the life of objects.

My work and Serrano’s would sit in the same genre of abstraction dealing with topics that could be seen as religion/spiritualism. Perhaps instead of linking to religion perhaps it is more a case or morality – is it moral that he has done this to something so symbolic? For my work the process of renewing life is the symbolic part, I haven’t used anything that could be identified as religious symbolism.

The work of Serrano however shows me what I would not want to achieve, more than what I would. Whilst I can see that Serrano achieve a furore with his work, which I can only imagine was his intention, he did gain audiences that he would not normally have been able to achieve. Whether this is moral or not, I’m not convinced. If the intent was to incite emotions he was certainly successful.

References

http://andresserrano.org/images/series/immersions/Piss_Christ.jpg

https://www.theguardian.com/artanddesign/2012/sep/28/andres-serrano-piss-christ-new-york

http://creativetimereports.org/2015/01/30/free-speech-piss-christ-charlie-hebdo-andres-serrano/