This week I began really trying to pull together thoughts for my oral presentation.
I’m not really sure where to start and I felt a little lost during some aspects of the week in how to explain what I would really like to do with this project.
With my CRJ I need to have many more references I do struggle with the contextualisation part, I will put more work into this area.
This week the Guest Lecture by Welby Ings was really helpful to my development. In terms of how I might be able to improve my contextualisation.
He explained amongst other things how to write about work – that we have to position our ideas – refer to other practitioners working in the same field as that of our project subject and this will help us to show where our ideas fit. I’m not really sure why this hasn’t clocked before, maybe it was the way that it was put that worked for me.
This lecture really assisted in helping the penny drop for me in essence the first 10 mins of this lecture made me realise where I was going wrong – so it was the perfect week to have this lecture.
It was interesting seeing the works of his students and one of them was looking at the spirit of the landscape. This resonated with me as there are some similar aspects of this outlook that fits with my own work. I am applying a soul/spirit to my objects so that they can keep reinventing themselves into new life.
This guest lecture helped me realise I do actually have a methodology and you don’t need to use long words just to make your point valid. This has also given me a new bit of confidence. My methodologies are the way that I print my work, my contact sheets, presentations. The way I brainstorm. It’s my method and again because it was put so simply it made sense.
I also began looking at the work of Stephen Gill. While reading an article about him in The Telegraph something that seemed particularly relevant to this module was the way he prints his work and also publishes his books through Nobody Books. This way he has control over what happens with his work. I find his methods quite interesting, but what I did love about this, was his reference to the collection A Series of Disappointments. When this was printed and you took the book out of the cover you can hang it on your wall in turn changing a photo book into your own personal exhibition. I feel that this is a really great idea in the way that it allows his practice to reach across borders of what is a photobook and what is an exhibition? What is art?, and this collection can cover many genres.
In the project Talking to Ants, Gill actually put objects into the body of the camera. After the debris had been inserted a photogram was produced but adding these items added more context to the work. The way my work includes dust within the petri dish is an expression of time passing and without this would the passage of time have its context within my work.
This weeks webinar we discussed my work in progress which was really useful I’ve now got my solid foundation of images which I would like to expand upon and some others which I would like to revisit.